french directors

It’s a film in which nuance is everything; amazingly, given Pialat was working exclusively with non-professionals, the performances are stunning. Bambi Ballard’s 2000 restoration of cinema’s supreme, grandiloquent epic (63 mins longer than the version premiered by Kevin Brownlow in 1979, tinted and with an extended three-screen climax) is the closest we’re ever likely to get to Gance’s original.

The country’s cinematic output was not limited to a certain style or genre either, excelling in every different form, including animation and documentary.

Documentary.

They razz each other about films, cartoons, nothing in particular, but always the gun hovers over them like a death sentence, the black-and-white focal point for all the hatred they meet with, and all they can give back. In Jacques Rozier’s iconic 1986 film, ‘Maine Océan’ is the name of the coral-hued train that runs along the coast from Paris to Saint-Nazaire, with Bernard Menez and Luis Rego at the controls.
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And if you want to do some real-life location scouting during your trip, check out the 50 best films shot in Paris.
But at least in contrast to later works like ‘Playtime’ and ‘Traffic’, there’s enough dramatic structure to make it more than simply a series of one-off gags. His father, Emmanuel Taticheff, was a well-to-do picture framer who ... Bertrand Tavernier was a law student that preferred write film criticisms.

Although Ophüls had to drop a fourth story intended to contrast pleasure and death, these three on old age, purity and marriage are shot with a supreme elegance and sympathy, and the central tale in particular luxuriates in the Normandy countryside. Tracing the self-sacrificial exploits from October 1942 to February 1943 of a small group of field operatives – the acerbic Lino Ventura’s ex-engineer, Simone Signoret’s iron-nerved Mathilde among them – Melville’s film adopts a formal essentialism to outline the codes and manners of impassive-looking ‘warriors’ over whom the Damocles sword of discovery, torture and death is ever hovering.

Arnaud Desplechin’s comedy about a doctoral student (Mathieu Amalric) approaching 30, plagued with self-doubt, is a hallmark of ’90s French cinema.

The first female director in the world was Alice Guy-Blaché, who created the first narrative film. ‘Le Masque’ describes how an old man wears a mask of youth at a dance hall to extend his youthful memories. GA, The result of a long collaboration (and tortured production history) between animator Grimault and the respected screenwriter Jacques Prévert, this animated cartoon tells of the downfall of the king and kingdom of Tachycardia. Reminiscent of Rozier’s earlier, career-making. The troubled Vuillard family is no stranger to illness, grief, and banishment, but when their matriarch requires a bone-marrow transplant, the estranged clan reunites just in time for Christmas. That’s ‘contempt’ in French, and that’s the feeling Camille (Brigitte Bardot) increasingly has for her writer boyfriend Paul (Michel Piccoli) during the time he’s summoned to Rome’s Cinecittà film studios and the stunning island of Capri to help Austrian-born Hollywood director Fritz Lang (playing himself) and coarse American producer Prokosch (Jack Palance) improve their movie version of Homer’s ‘The Odyssey’.

Sun, sex and… suspicion. Set in Italy, this sun-bleached, louche thriller, infused with a lively documentary style, tells how Ripley arrives from the US as an envoy of Greenleaf’s father, charged with bringing the rich, dissolute son back home. In the leading role, Dutronc displays a physical frailty and stooped sadness that complements Pialat’s beautiful, poignant images.

| In the 18th century game which Rohmer transposes to a contemporary setting, this pair can be seen as intellect trying to dominate instinct, but only succeeding in rousing unwanted passions. WH, ‘Day for Night’ is hilarious and informative, and in the pantheon of films about filmmaking, it strikes a neat balance between the operatic neuroses of ‘8 1/2’ and the warm, pastel-hued nostalgia of ‘Singin’ in the Rain’. 151 min Director and co-writer Jacques Rivette conceived Céline and Julie as a light-comic breather following the heavy experience of the epochal, politically charged ‘Out 1’ (1971). Their erotically charged St. Tropez sojourn is interrupted by the arrival of flamboyantly smug Maurice Ronet with teenage jail-bait daughter Jane Birkin in tow. Jacques Laurent made pornographic films in the 1970s and '80s, but had put that aside for 20 years. Le Grand Détournement / La Classe Américaine (1993), 97. Actress/director, Julie Gavras ( Auteurs ) He I'm a French film buff and I suggest this list of priorities to people interested in French (art) cinema.I add a wonderful 30' film (missing from IMDb): 'IT WAS ON EARTH THAT I KNEW JOY' by Jean-Baptiste de Laubier. Paul Dédalus is slowly realising that, as Gainsbourg wrote, ‘physical love is a dead end’. Living in Auvers-sur-Oise with his sensitive and knowledgeable patron Gachet (Sety), van Gogh (Dutronc) works quietly and steadily, meanwhile flirting with Gachet’s precocious daughter Marguerite (London). Superb. Mr Legrand (Simon), a mild-mannered, middle-aged cashier, paints as a means of expression, of escape from his shrewdish wife and the tedium of his job. | An ensemble film, as its title suggests, ‘Vincent, François, Paul et les Autres’ follows a group of friends (played by Michel Piccoli, Gérard Depardieu, Yves Montand and Serge Reggiani) who meet regularly to commiserate over their personal troubles.

| Gross: This exposé of a malicious small town in France must be one of the most depressed films to emerge from the period of the German Occupation: everyone speaks badly of everyone else, rumours of abortion and drug addiction are rife, and a flood of poison-pen letters raises the spiteful hysteria to epidemic level.

Released here in a sparkling new print, the film centres on Catherine Deneuve and Françoise Dorléac as the ‘pair of twins, born in the sign of Gemini’ looking to escape the sleepy environs of Rochefort for life in the big city.

The acting stinks. Malik is now César’s vassal, working for him on the inside and, later, using a series of day-release excursions to represent his criminal interests on the outside.

During the French Revolution, a Scottish aristocrat and her former lover, the Duke of Orleans, find themselves on opposite sides of the conflict. A Mediterranean villa. An absurd montage, combining hundreds of clips from a dozen American movies (including ‘Jeremiah Johnson’, ‘All the President’s Men’ and ‘Rio Bravo’), this surreal film is surprisingly entertaining, mostly because writer-directors Michel Hazanavicius and Dominique Mézerette really push the idea to extremes: all dialogue has been absurdly rewritten and dubbed back into French. Director: Director: Éric Rohmer | Stars: Lucy Russell, Jean-Claude Dreyfus, Alain Libolt, Charlotte Véry. The situation is complicated by the constant interruptions of Jean’s beloved but irascible first mate Pére Jules (Michel Simon). He left school at 14 and started working. Dreyer’s most universally acclaimed masterpiece remains one of the most staggeringly intense films ever made.

On the other… well, it’s not a bad film to be compared with. Director: These are the 100 best French movies ever released – ranked by our global critics. They head to the south of France in a hail of gunfire and Gauloises. He died on October 14, 2016 in... Tell us what you think about this feature. Part of the challenge stems from the fact that, despite his place in French Nouvelle Vague (i.e., New Wave), his work is unlike that of his colleagues.

Céline is Julie, Julie is Céline, distinct yet interchangeable: un their varying guises, they dismantle all real-world attachments (a pompous boyfriend and a burgeoning magic career are playfully, hilariously tossed to the wind) so that they can focus on a fantasy. Drama. Farida Benkhetache, This is a confessional fantasy about a generation of men now in middle age, alienated from their sexuality, dissatisfied with their ‘commerce’, and unwilling to cope with a new sexual/political order.

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