hybrid genre theory
October 1, 2020 12:45 pm Leave your thoughtsAdditional nominations for Best New Artist and Best Rock Album lost out to Alicia Keys and All That You Can't Leave Behind by U2. But that song is about taking responsibility for your actions. Hybrid Theory reçoit des critiques positives de la part de nombreux journalistes. [82], After the death of Bennington on July 20, 2017, the album reached number 1 on the iTunes and Amazon music charts. Enregistré aux studios NRG Recordings à Nor…
Bennington's previous band, Grey Daze, had recently disbanded, so his lawyer recommended him to Jeff Blue, vice president of A&R coordination for Zomba, who at the time was seeking a lead vocalist for Xero. [48] The art style was largely influenced by stencil graffiti, including early works by Banksy. [12][16] However, they were initially turned down by most of the major labels and several independent record labels. | News | Rock Sound", "MUSIC; New Ideas From the Top of the Charts", "Hybrid Theory tops best-sellers of 2001", "American album certifications – Linkin Park – Hybrid Theory", "Linkin Park Announced As Saturday Headliner", "Linkin Park's 'Hybrid Theory' Producer Calls Working With Chester Bennington a 'Dream Come True", "Linkin Park's 17-year-old debut is the No. A cross-genre (or hybrid genre) is a genre that blends themes and elements from two or more different genres. Chester Bennington rejoint alors le groupe. [12] Shinoda's rapping sections in most of the songs were significantly altered from the original, while most choruses remained largely unchanged. Jenny Eliscu de Rolling Stone fait remarquer que Hybrid Theory a « autant de puissance que les albums de Limp Bizkit ou Korn » et qu'il « reflète la frustration de la vie »[31]. The success of "In the End" was partly responsible for Hybrid Theory's chart success; it reached #2 in the Billboard 200 in early 2002 behind Weathered by Creed and by J to tha L–O! « Brad a écrit ce riff, puis est rentré chez lui. Nous n'avions vu quelque chose se rapprochant de son talent chez personne d'autre », « d'émotions dont on parle et auxquelles on pense tous les jours ». "[54] Robert Christgau of The Village Voice quipped that "the men don't know what the angry boys understand", giving the album a two-star honorable mention rating and citing "Papercut" and "Points of Authority" as highlights. [11][12][13], Despite initial difficulties in finding a producer willing to take charge of the debut album of a newly signed band, Don Gilmore ultimately agreed to head up the project,[12] with Andy Wallace hired as the mixer. The 20th anniversary edition includes the original album on disc one. L'album atteint également dans les classements de 11 autres pays des positions assez élevées puisqu'il est classé parmi les dix premiers dans les classements du Royaume-Uni, la Suède, de la Nouvelle-Zélande, de l'Autriche, de la Finlande et de la Suisse[48]. The music video for "Papercut" features the band performing in a hallway opposite a completely dark room on the walls of which are scribbled the song's lyrics.
[11][14] Throughout 1999, Linkin Park was a regular act at the Los Angeles club, The Whisky. [12] Stand-in bassist Scott Koziol is shown performing with the band in the video. La précédente formation de Bennington Grey Daze venant de se dissoudre, l'avocat de celui-ci le recommande à Jeff Blue, vice-président des Artists and Repertoire au Zomba Label Group[2], qui cherche de son côté un chanteur pour Xero. [1] [63] Hybrid Theory found itself in several "must have" lists that were compiled by various music publications, networks, and other media. Le bassiste Scott Koziol joue avec le groupe sur la vidéo[15]. This page was last edited on 27 September 2020, at 17:08. Bennington écrit et enregistre donc sa version qu'il renvoie à Blue[4]. Nous n'avions vu quelque chose se rapprochant de son talent chez personne d'autre »[5],[6]. [37][38], The album eventually produced four singles. L'introduction dispose d'un riff de guitare et de percussions électroniques en transition vers un pont, d'une forte distorsion de guitare et d'un son de batterie agressif[13]. Selon Brad Delson, « Chester Bennington était vraiment la pièce manquante du puzzle [...]. Le son des prochains albums de Linkin Park implique l'expérimentation avec des instruments classiques tels que les cordes, le piano, voire les deux, avec les mêmes éléments d'electronica de l'album Hybrid Theory qui sont mis en évidence dans leur second album Meteora[34]. Les séances d'enregistrement, qui consistent surtout à retravailler les démos initiales, commencent à North Hollywood en Californie début 2000 et durent quatre semaines[4]. Le concept de la chanson est essentiellement basé sur l'échec d'une personne. L'album est resté dans les classements pendant 105 semaines (environ 2 ans) et y est réapparu à la 167e place en février 2011[47]. L'album est d'ailleurs référencé dans le livre Les 1001 albums qu'il faut avoir écoutés dans sa vie et est également classé onzième du Billboard's Hot 200 Albums Decade[1]. In 2013, Loudwire ranked it at #10 in its Best Hard Rock Debut Albums list. La dernière modification de cette page a été faite le 17 mars 2020 à 00:54. », — Chester Bennington, Rolling Stone Magazine, 2002[3]. 1�',�K�cQ#��N�im��\�f�d?#�v���ͬ�&�$;�Nگ`pͰ�� Four singles from the album were released throughout 2001 (though "Points of Authority" was released as a promotional single), three of which were chart successes on the US Billboard Modern Rock Tracks charts. Quatre chansons de l'album sont sorties en single : One Step Closer, Papercut, Crawling (qui a remporté un Grammy Award), et In the End. According to Chester Bennington, the idea of the soldier with dragonfly wings was to describe the blending of hard and soft musical elements by the use of the jaded looks of the soldier and frail touches of the wings.
Ses paroles se concentrent sur les expériences personnelles de Chester Bennington avec la maltraitance des enfants, la violence physique, la difficulté à rompre le cycle de l'abus, et la perte de l'estime de soi. En raison de l'absence de Dave Farrell, le groupe engage Scott Korziol et Ian Hornbeck comme bassistes remplaçants après que Delson se soit chargé de la basse lors des enregistrements. Lors de la 44e cérémonie des Grammy Award en 2002, Linkin Park remporte la récompense Best Hard Rock Performance pour la chanson Crawling et est nommé dans les catégories Best New Artist et Best Rock Album mais perd respectivement face à Alicia Keys et All That You Can't Leave Behind de U2[49]. Le premier CD contient l'album original et le second, des performances lives de Papercut, Points of Authority, et A Place for My Head enregistrés au Docklands Arena pour la BBC Radio 1. Van Leeuwen suggests that the multiple purposes of journalism often lead to generically heterogeneous texts (cited in Fairclough 1995, 88). [15], The music that would ultimately become the Hybrid Theory album was first produced by Linkin Park in 1999 as a nine-track demo tape. [61] Stephanie Dickison of PopMatters commented that they are "a far more complex and talented group than the hard rock boy bands of late" that "will continue to fascinate and challenge music's standard sounds. Recorded at NRG Recordings in North Hollywood, California, and produced by Don Gilmore, the album's lyrical themes deal with problems lead vocalist Chester Bennington experienced during his adolescence, including drug abuseand the constant fighting and divorce of his parents. Although "Runaway", "Points of Authority", and "My December" from the special edition bonus disc album were not released as singles, they were minor hits on alternative rock radio stations thanks to the success of all of the band's singles and the album. It included the songs of Hybrid Theory remixed and reinterpreted by nu metal and underground hip hop artists. The music video for "In the End" was shot at various stops along the 2001 Ozzfest tour and was directed by Nathan "Karma" Cox and the band's DJ Joe Hahn, who would go on to direct many of Linkin Park's future videos (the two also directed the music video for "Papercut"). Pendant ce temps, Linkin Park s'est remis avec son premier bassiste Dave « Phoenix » Farrell[3]. On y retrouve notamment Black Thought, Pharoahe Monch, Jonathan Davis, Stephen Carpenter et Aaron Lewis. Le clip remporte le prix Best Rock Video aux MTV Video Music Awards en 2002[20]. Le contenu lyrique des chansons touche principalement les problèmes rencontrés par Chester Bennington au cours de son enfance, incluant la maltraitance des enfants, la drogue et l'abus d'alcool[3], le divorce de ses parents, l'isolement[11], les déceptions, et les conséquences de l'échec des relations[12]. Mike decided to cut it up into different pieces and rearranged them on the computer [...] Brad had to learn his own part from the computer.” Regarding the song, Delson praised Shinoda's skill, describing him as “a genius” and “Trent Reznor-talented”. With hit songs ‘One Step Closer’, ‘Crawling’ and In The End’, Linkin Park engulfed fans with their heavy rock/hip hop/electronic style and were hugely instrumental in creating a fantastic new genre of music.
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