en croix ballet definition

Step on the L demi-pointe behind the R foot, slightly lifting the R foot off the ground; then fall on the R foot again in demi-plié with the L foot raised sur le cou-de-pied derrire.

Same as grand battement jeté balancé, but the body remains upright as the leg swings. These positions are used in some Russian schools. Cat’s-step. Sideways. Caper.

Indicates: (1) that a movement is to be made in the air; for example, rond de jambe en l’air; (2) that the working leg, after being opened to the second or fourth position à terre, is to be raised to a horizontal position with the toe on the level of the hip.

→ l'auteur a été poursuivi pour incitation à la violence et peut faire une croix sur les récompenses littéraires, Translation French - English Collins Dictionary, Free: Learn English, French and other languages, Reverso Documents: translate your documents online, Learn English watching your favourite videos, All French-English translations from our dictionary. Collaborative Dictionary     French-English, 'en croix' also found in translations in English-French dictionary, You want to reject this entry: please give us your comments (bad translation/definition, duplicate entries...), → le signe de croix est un geste fondamental de la prière chrétienne, → ceux qui ne savaient pas écrire faisaient une croix. Pricked, pricking. This step consists of coupé dessous and coupé dessus performed in a series with a rocking, swinging movement. A term of the French School used to indicate that the dancer turns slowly in place on one foot by a series of slight movements of the heel to the required side while maintaining a definite pose such as an arabesque or attitude. In passing from a high position to a low one, the arms are generally lowered in a line with the sides. A Polish folk dance in 3/4 time which has been introduced into a number of ballets as a character dance. Escaping or slipping movement. BalletHub is an online education, news, event, and discussion resource for the art of ballet. Indicates that the working foot passes in front of the supporting foot.

In front. There are two kinds of ronds de jambe à terre: those done en dedans (inward) and those done en dehors (outward).

Échappés may also be done en croix. Saut de basque may also be performed with a double turn in the air. En dedans (Russian School): Fouetté en dedans is done in the same manner as en dehors. Inward. The arm on the side of the raised leg is held over the head in a curved position while the other arm is extended to the side. In the Cecchetti method, entrechats are done with the knees bent and the feet drawn up so that one foot beats against the other from the base of the calf downward. As, for example, in assemblé dessous. Executed by stepping directly on the point or demi-pointe of the working foot in any desired direction or position with the other foot raised in the air. Entrechats are counted from two to ten according to the number of crossings required and counting each crossing as two movements, one by each leg; that is, in an entrechat quatre each leg makes two distinct movements. Both legs should be fully turned out during the jump. As, for example, in pas de bourrée couru. This is a cabriole in which one leg strikes the other in the air two or more times before landing. They may be executed en dehors or en dedans. Brisés are commenced on one or two feet and end on one or two feet. On reaching the open position both knees must be held taut. Chord 2: slide the R toe along the floor, describing an arc and finishing in the second position as the L knee straightens (the R arm opens to the second position and the head turns to the right).

In the third position one foot is in front of the other, heels touching the middle of the other foot.

Sissonne is named for the originator of the step. The working leg is thrust into the air, the underneath leg follows and beats against the first leg, sending it higher. Disengaged battement. Also termed “changement battu.” Fifth position R foot front. Pas de bourrée, running. A small beating step in which the movement is broken. In each case échappés are done to the second or fourth position, both feet traveling an equal distance from the original center of gravity. Glide. The crossing of the legs with the body placed at an oblique angle to the audience. In the Russian and French Schools the raised leg finishes sur le cou-de-pied devant or derrière and the brisé volé is done like a jeté battu. For ronds de jambe à terre en dedans, reverse the movements. In steps and exercises the term en dehors indicates that the leg, in a position à terre or en l’air, moves in a circular direction, clockwise. It is a series of turns on one foot with the free leg raised to the second position en l’air at 90 degrees.

Balancé may also be done en avant or en arrire facing croisé or effacé and en tournant. There are a number of attitudes according to the position of the body in relation to the audience:for example, attitude croisée, attitude effacée, attitude de face.

A complete turn of the body on one foot, on point or demi-pointe. Grands battements en cloche are continuous grands battements executed from the fourth position front or back en l’air to the fourth position back or front en l’air, passing through the first position. A term applied to a whipping movement. A step of low elevation performed to a quick tempo. Saint-Léon wrote, “Fondu is on one leg what a plié is on two.” In some instances the term fondu is also used to describe the ending of a step when the working leg is placed on the ground with a soft and gradual movement. The working leg brushes from the fifth position to the second position so that the point of the foot is a few inches off the ground, and beats in front of or behind the other leg, which has come to meet it; then both feet return to the ground simultaneously in demi-plié in the fifth position. After a pirouette en dedans the extension is made to the second position en l’air; next the foot is brought in front of, then in back of, the supporting. One of the directions of épaulement in which the dancer stands at an oblique angle to the audience so that a part of the body is taken back and almost hidden from view. The French School has a preparatory position and five standard positions. On the upbeat, demi-plié and raise the L leg to 45 degrees, inclining the body slightly forward; step on the L foot in the demi-plié toward corner 6, opening the arms to the second position; throw the R leg forward to 90 degrees (passing through the first position) toward corner 6 and push off the floor with the L leg. The jump is done on the foot which is thrown forward as in grand battement at 90 degrees, the height of the jump depending on the strength of the thrust and the length of the jump depending on the strong push-off of the other leg which is thrust up and back. The toe of the working foot does not rise off the ground and does not pass beyond the fourth position front (fourth position ouvert) or the fourth position back. Fifth position R foot front. Glissade is a terre à terre step and is used to link other steps. They are done with the supporting foot flat on the ground, on the demi-pointe, full point or en fondu. The arms assist and the head must spot as in pirouettes. Both legs come to the ground simultaneously in the fifth position. En Croix Ballet is a Daytime and Evening dance studio offering styles in Ballet, Pointe, Modern, Hip Hop and ages 3-99 years The toe of the working foot describes an oval, the extreme ends of which are the second position en l’air and the supporting leg. Closed sissonne. After a series of 8 or 16 turns, grande pirouette is usually concluded with multiple pirouettes sur le cou-de-pied. Demi-plié, dégagé the R foot to the second position and jump on it lightly in demi-plié, crossing the L foot behind the R ankle and inclining the head and body to the right.

This turn is executed either en dedans or en dehors). Used to indicate that a given step is executed moving forward, toward the audience. It is a jump from both feet onto one foot with the exception of sissonne fermée, sissonne tombée and sissonne fondue, which finish on two feet.

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