would you lay with me (in a field of stone meaning)

Other cuts of particular interest include the up-tempo "The Man That Turned My Mama On", "The Baptism of Jesse Taylor", and "No Man's Land"."[4]. Willie Nelson and Waylon Jennings recorded the song on their 1983 album, Take It to the Limit. Coe later recorded the song as the b-side to his 1975 single "You Never Even Called Me by My Name." Behind the Song: “Angel from Montgomery” by John Prine, Bruce Springsteen Announces Special COVID-19 Relief Concert, “Jersey 4 Jersey”. It also peaked at No. It was released on February 11, 1974, by Columbia Records. Other artists have cut the song as well, including Johnny Cash, on his American III: Solitary Man album, a couple years after Coe cut an entire album of Cash songs. 1 single, "Would You Lay with Me (In a Field of Stone)". Tucker’s version was produced by Nashville studio legend Billy Sherrill, as both of Coe’s versions would later be. It was released in December 1973 as the first single and title track from the album Would You Lay with Me (In a Field of Stone).It topped the U.S. country chart on March 30, 1974, for one week and was Tucker's third number-one song on the chart. DAVID ALLAN COE - Would You Lay With Me In A Field Of Stone 1 single, "Would You Lay with Me (In a Field of Stone)". "How Can I Tell Him", a moving and tender ballad is finely orchestrated. A pleasing rendition of "Let Me Be There" gives this catchy song added dimension and new life.

Coe has never made it a practice to record strictly only his own material, often drawing from the catalogs of others.

"Would You Lay with Me (In a Field of Stone)" is a song written by David Allan Coe and recorded by American country music artist Tanya Tucker. It was certified Gold by the RIAA in 1995 for sales of more than 500,000 copies. The album was produced by Billy Sherrill and includes Tucker's third No.

The album was produced by Billy Sherrill and includes Tucker's third No. 54 on the RPM Top Singles chart. It topped the U.S. country chart on March 30, 1974, for one week and was Tucker's third number-one song on the chart. *sales figures based on certification alone^shipments figures based on certification alone, "I Believe the South Is Gonna Rise Again", Would You Lay with Me (In a Field of Stone), Christgau's Record Guide: Rock Albums of the Seventies, "Tanya Tucker Chart History (Top Country Albums)", "Tanya Tucker Chart History (Hot Country Songs)", "American album certifications – Tanya Tucker – Would You Lay with Me", Recording Industry Association of America, Don't Believe My Heart Can Stand Another You, https://en.wikipedia.org/w/index.php?title=Would_You_Lay_with_Me_(In_a_Field_of_Stone)&oldid=904679572, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with album ratings that need to be turned into prose, Certification Table Entry usages for United States, Creative Commons Attribution-ShareAlike License, The Nashville Edition – background vocals, This page was last edited on 3 July 2019, at 19:30. David Allan Coe – he of the beaded beard and the Confederate-themed guitar – has been accused of writing and recording some of the most racist, misogynistic, sexually explicit material ever, self-distributed on albums that no major label would touch. 4 on the US Billboard Hot Country Singles chart and No. Now nearly 78, he’s still on the road, seemingly no less cantankerous than he was in his youth. Even though he wrote it, Coe wasn’t the first person to cut “Field of Stone.” It was recorded in 1973 by a then-15-year-old Tanya Tucker, who was already known for songs that were beyond her maturity level but perfect for her voice. No matter what they’re about, it’s hard to believe these lines were written by the same guy who has written songs with titles like “Dear Penis” and “Itty Bitty Titties,” or even “Take This Job and Shove It” for another Nashville outlaw, Johnny Paycheck. Editor’s note: Shortly after this article was published, David Allan Coe tweeted that he wrote the song as wedding vows for his brother. It peaked at No. 10 in Canada on the RPM Country Singles chart. Tucker’s version was produced by Nashville studio legend Billy Sherrill, as both of Coe’s versions would later be. Possible biblical references can be found in the last two lines of the first verse: Would you lay with me in a field of stone
 If my needs were strong would you lay with me Should my lips grow dry would you wet them dear
/ In the midnight hour if my lips were dry, Would you go away to another land Walk a thousand miles through the burning sand Wipe the blood away from my dying hand 
 If I give myself to you. The third and final single, "I Believe the South Is Gonna Rise Again", was released in December 1974[7] and peaked at No. The great Mac Davis, songwriter of “In The Ghetto,” "Baby, Don't Get Hooked On Me" and countless other classics, died yesterday September... John Prine's longtime guitarist on three essential Prine lines Jason Wilber. Would You Lay with Me (In a Field of Stone) is the third studio album by American country music singer Tanya Tucker. Alf Robertson covered the song in 1978, in Swedish as "Jennifers frågor". It was certified Gold by the RIAA in 1995 for sales of more than 500,000 copies. Only her 1975 number-one country hit, "Lizzie and the Rainman", performed better on the pop chart. He’s a complicated man to be sure. In 2000, Johnny Cash covered the song on his album, American III: Solitary Man. 10 in Canada on the RPM Country Singles chart. The two arrangements differed a little, but both renditions were definitive in their own rights. It was released in December 1973 as the first single and title track from the album Would You Lay with Me (In a Field of Stone). Coe recorded two different versions of this ballad, first on his 1975 album Once Upon a Rhyme, and again on his 1978 album Human Emotions. Would you lay with me in a field of stone If my needs were strong would you lay with me Should my lips grow dry would you wet them dear / In the midnight hour if my lips were dry.

4 on the US Billboard Hot Country LP's chart and No. The song’s meaning has been a matter of conjecture; while it’s generally viewed as being about a relationship between a man and a woman, many believe it is also about the crucifixion of Christ. In all, she acquits herself well. It was released on February 11, 1974, by Columbia Records. But he also had a long country music career on Columbia, and was one of the songwriting greats of 1970s Nashville.

1 on the US Billboard Hot Country Singles chart and No. In the issue dated March 2, 1974, Billboard published a review of the album which said, "The little girl who sings grown up songs has some pretty strong ones here.

1 in Canada on the RPM Country Singles chart and No. 46 on the US Billboard Hot 100 chart. “Field of Stone” was the b-side to Coe’s single “You Never Even Call Me By My Name,” the humorous “perfect country song” that was penned by the late Steve Goodman with some inspiration from his good friend John Prine. David Allen Coe - Would You Lay with Me (In a Field of Stone) [1] On the Billboard Hot 100, the song peaked at number 46. Become Part of a 35 Year Tradition American Songwriter has been the number one resource on The Craft of Music for Songwriters and Music Enthusiasts since 1984. 159 on the US Billboard Top LP's & Tape chart. "Humor and sadness; joy and sorrow;... Coe recorded two different versions of this ballad, first on his 1975 album, Even though he wrote it, Coe wasn’t the first person to cut “Field of Stone.” It was recorded in 1973 by a then-15-year-old Tanya Tucker, who was already known for songs that were beyond her maturity level but perfect for her voice. She took the song to number one on the country charts, helping establish Coe as more than just a politically incorrect ex-con with a guitar. He can be unabashedly vulgar and insulting one minute, but can then reveal a tenderness that rivals the female side of any male country artist, as he did with his song “Would You Lay With Me (In a Field of Stone?)”. The second single, "The Man That Turned My Mama On", was released in May 1974[6] and peaked at No. "[3], The review published in the February 23, 1974 issue of Cashbox said, "Currently riding high on the charts, the title track is a good indication of the kind of polish, poise and true professionalism that Tanya possesses. Love him or hate him, Coe is as talented and prolific as any of the Nashville artists of his era as both a writer and a vocalist.

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